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In Voices we present in words and images the traditions practiced by the people and communities of New York State. We want to hear from you! Send us family stories, interviews, recipes, reminiscences, anecdotes, songs, how-to columns, and more. We are also looking for photographs and sketches of people, places, objects, and community events to publish. NOTE: The New York Folklore Society Newsletter and New York Folklore Journal were replaced by Voices: The Journal of New York Folklore which debuted December, 2000. New York Folklore Society P.O. Box 764 Schenectady, NY 12301 518/346-7008 Fax 518/346-6617 nyfs@nyfolklore.org |
PUBLICATIONS | VOICES | BACK ISSUES | FOLKLORE IN ARCHIVES | FOLK ARTISTS SELF-MGT | ORDER PUBLICATIONS | SEARCH Fall/Winter 1998 From Our Readers Dear Editor: When Ken Starr weighed in with 36 boxes of evidence against Bill Clinton delivered by armed guard to Congress, I was reminded of the fabled scales of justice, symbol of the judicial system throughout human history. According to the ancient Egyptian Book of the Dead, Bill Clintons soul would be weighed against a feather. At the trial of souls, a persons heart as placed on one side of the scales, the ostrich feather from the Goddess Maats beautiful headdress on the other. The feather represented justice and truth. An ideal heart would be neither too heavy nor too light to balance against the feather. If the scale tipped to the left or the right, the heart failed the test and was immediately devoured by Ammit, "eater of the dead," a ferocious animal with the head of a crocodile, the body of a lion, the rump of a hippo, and the voraciousness of Ken Starr. Our folklore abounds with stories where a persons good and bad deeds are weighed against one another in the court of heaventhe rhetoric we are hearing from Congress suggests these high-minded folk metaphors. But the attitude of most Americans seems to suggest that the best parables for the mess were in may not be the tales of God versus the devil and good versus evil, but the more gutsy stories about real life, such as this one told by 92-year-old Abe Lass about a butcher on the Lower East Side. Schwartz, the local butcher, saw Mrs. Cohen examining a chicken for freshness and quality. She lifted it up, turned it over, examined the underbelly, opened its legs, examined the rectum, and then shook her head in dismay. "No good," she said. "But Mrs. Cohen," the butcher pleaded, "Could you pass such a test?" Steve Zeitlin, Director, City Lore Dear Eniko, I recently read the article in New York Folklore [Summer Newsletter] about you and the documentation project you are conducting among the 56er Hungarians in Ithaca. I felt I had to write and at leat tell you of the project I conducted among a single family from Montclair, NJ, who also left a few days after the failed Revolution. I am a folklorist,and while living in North Carolina I met members of a Hungarian American Club in the Raleigh area. One member, Barcza Benedek Judit, had escaped Budapest a few days after the Revolution. I began recording her oral history and after two years of interviews, conversations, trips to Hungary, and writing, we produced what turned out to be my thesis, and a book Her story reminded me of the ones published in the Folklore Society Newsletter and will probably sound familiar to you. Judits family was gentry, and at the end of World War II she was 16. Her father was imprisoned because of his background, and she and her sister set off to earn a living to help support their mother. Judit was sent to an aunt in Budapest where she remained until December 0f 1956. She and her sister, together with their children, escaped over the border into Austria and made their way to America where Judit was reunited with her husband who had escaped earlier. What I found interesting about Judits story was that most of it was memorialized in family objects. She had taken care to ensure that family photographs and other small items eventually made their way to America. In fact, when I asked her what she carried in her knapsack across the Austrian-Hungarian border she replied, "My family photo albums." And, like other Hungarians Ive met, Judit went to great pains to decorate her home as a Hungarian home. I share this with you because, like you, I recognize that little research has been done on this community, and I am glad to see your project supported. I am also still very interested in the topic of Hungarian womens escape stories, and look forward to hearing more about your project. Kelly Feltault The writer of this letter, Kelly Feltault, welcomes letters from others interested in this topic. Contact her at Cultural Crossings, 12508 Spring Harbor Pl., Germantown, MD 20874, e-mail kellruss@juno.com HOME | ABOUT NYFS | PROGRAMS & SERVICES | PUBLICATIONS | RESOURCES | CALENDAR | WHATS FOLKLORE? | MEMBERSHIP | GALLERY | SHOP | SEARCH | CONTACT US © 2008, 2007-1998 New York Folklore Society |