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The centerpiece
on the table is always the same: the butter
lamb, a symbol of the Lamb of God
watching over the meal, sitting on a bed
of greens.
Lynn Case Ekfelt is retired from her position as a special collections librarian and university archivist at St. Lawrence University. She is the author of Good Food Served Right: Traditional Recipes and Food Customs from New York’s North Country (Canton, New York: Traditional Arts in Upstate New York, 2000), available on-line from our New York Traditions gallery store.
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Buffalo’s Broadway Market is a mere
shadow of its former self since the
Polish community has migrated from
downtown to Cheektowaga. Now the
endless rows of stalls selling baked
goods, vegetables, and meat to ladies
with market baskets over their arms
have shrunk to just a few. But there’s
one time of year when visitors can sense
the place’s former splendor. During
the weeks before Easter, the huge hall
is packed with people selling molded
chocolates, painted Polish Easter eggs,
horseradish, pussy willows for Dyngus
Day, and—of course—butter lambs.
I stopped by Malczewski’s Chicken
Shoppe to admire the rows of cute little
lambs adorned with red ribbons and
flags, in sizes ranging from a couple of
ounces up to almost as big as a real newborn
lamb. The friendly woman behind
the counter, Beverly, told me that, since
all their lambs are made by hand, they
have to start molding right after New
Year’s in order to supply all the Wegmans
and Tops stores around the city and
still have enough for their own market
stand. They work in a specific sequence
of steps, first molding the lambs, then
adding the eyes to signify God’s lighting
of the world, and finally adding the red
ribbon around the neck representing
Christ’s blood and the little flag saying
Happy Easter.

Bulk lamb making must immunize
you against sentiment. When I told
Beverly I couldn’t imagine actually eating
something so cute, she said, “We call
them Marie Antoinette lambs—the head
goes first.” Be that as it may, in my friend
Denise Szafran’s home, there is always a
regular stick of butter available for the
bread. The lamb sits on the table, then
moves to the refrigerator until May or
June, when someone finally gets up the
nerve to take that first bite.
Denise, displaced to Canton from
Niagara Falls, kindly took a break
from her preparations for the holiday
to describe a Polish Easter dinner for
me. The menu is set in stone: sausage
(smoked and fresh), ham, horseradish to
represent the bitter aspects of life, both
hard-boiled eggs with shells dyed red
and peeled hard-boiled eggs pickled in
beet juice, and the classic Polish gifts of
welcome to guests—the life-sustaining
staples, bread and salt. The centerpiece
on the table is always the same: the butter
lamb, a symbol of the Lamb of God
watching over the meal, sitting on a bed
of greens. The day before Easter, all of
these foods are carefully packed into a
basket and taken to the church to be
blessed by the priest and sprinkled with
holy water. (Since the church’s exodus
to Cheektowaga made it difficult for the
older people who remained in Buffalo
to find a priest to bless their baskets, the
priest now travels to them, meeting them
at the market on Saturday.)
In spite of the thousands of butter
lambs sold at the market and in grocery
stores around the city, many more are
made at home by women either using
molds handed down in their families or
working freehand. Denise showed me
her mold, the little flag reading wesolego
alleluja (Happy Easter), and the beautifully
embroidered cloth she uses to cover
the basket on its way to be blessed. In
her family, ethnicity trumps religion.
She was planning to make her lamb as
soon as she got to her mother’s house
in Niagara Falls, so the basket could go
to the church for its blessing—this in
spite of the fact that neither she nor her
mother is Catholic. When I asked why,
she replied, “It’s part of being Polish;
you just have to do it.”
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Lynn Case Ekfelts Foodways column was published in Voices Vol. 33, Fall-Winter 2007. Voices is the membership magazine of the New York Folklore Society. To become a subscriber, join the New York Folklore Society now.
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