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Cropsey is still out in these woods. Tonight
is the anniversary of his son’s death, and he
may pay a visit to your bunk at midnight.

Libby Tucker teaches folklore at Binghamton University. She is the author of Campus Legends: A Handbook (Westport, CT: Greenwood Press, 2005). Her next book, Haunted Halls, will investigate college ghost stories. |
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Almost thirty years ago, Lee Haring and
Mark Breslerman wrote an article called “The
Cropsey Maniac” for New York Folklore (1977).
Their subject was the development and
meaning of a legendary character who had
terrified campers at a number of different
sleepaway camps in New York State. According
to the Cropsey legend’s usual plot line,
Cropsey was a respected community member
who lived near the camp with his son. When
a couple of campers accidentally caused his
son’s tragic death, Cropsey went mad and
swore that he would get revenge. Running
off to hide in a shack in the woods, he waited
until the anniversary of his son’s death. Then
he randomly chose a camper to attack with an
axe. The unfortunate camper died instantly.
If I were a counselor telling this story to a
group of campers huddled around a campfire,
I would end the story with its usual clincher:
“Cropsey is still out in these woods. Tonight
is the anniversary of his son’s death, and he
may pay a visit to your bunk at midnight.
Good luck!”
Does the Cropsey maniac still terrorize New
York campers? Anyone who has access to the
Internet will quickly learn that the answer to
that question is “yes.” A number of camp
web sites include fond—or not so fond—
reminiscences about nights spent waiting for
Cropsey to arrive with his axe. Other questions,
however, are not so easy to answer. Is Cropsey
a living maniac, or is he a ghost? And does he
still represent the same kind of threat that he
represented thirty years ago? I will offer a few
examples of Cropsey variants, and let you
draw your own conclusions.
My first example comes from Maureen
Berliner, who posted her recollections of
Cropsey stories on the popular web site
KidsCamps.com (www.kidscamps.com) in
1997. Her earliest memories of Cropsey scares
date back to the mid-1970s. Berliner
remembers that the first camp she attended,
Camp Orensika Sonikwa, had a framed article
hanging on the wall: a copy of the original
newspaper piece about Cropsey. This piece of
proof seems to confirm that Cropsey is a real
person, but Berliner questions his identity. She
asks, “Is Cropsey his real name? I don’t know,
but that is the basic true story.” Her
commentary ends with the typical warning for
Cropsey story audiences: “Don’t kid yourself,
this stuff is real, so don’t screw around, or he
will get you.” On the Internet, as well as at
camp, this warning generally comes at the
conclusion of Cropsey’s story.
Another example comes from an oral
narrative collected two months ago from Sam,
a nineteen-year-old male alumnus of Surprise
Lake Camp in Cold Spring, New York. Sam
explains that when counselors at Surprise Lake
Camp take campers out for a hike on the
Cornish Trail, they tell their charges about a
tragedy that took place on the Cornish estate
long ago. One day a man who lived there went
crazy and killed his entire family—a wife and
several children—with an axe. Since he tried
three times to kill his wife, there are three
notches on a certain rock by the side of the
trail. If campers pee on the rock, they can
neutralize the peril of coming close to it, but
that doesn’t mean they can avoid all danger.
The morning after a hike on the Cornish Trail,
campers who find red leaves under their
pillows learn that they will die soon.
Sam’s narrative suggests that the maniac
may have supernatural dimensions: anyone
who can be temporarily deterred by campers
peeing on a rock does not fit the profile of
human horror figures. Even more clearly, a
recently collected narrative from Ashley, an
eighteen-year-old alumna of an unnamed
camp in New York State, indicates that
Cropsey is a ghost: not the ghost of a man, as
we might expect, but the spirit of a little boy
who died after swinging from a bunk’s rafters
and was buried under the floorboards. The
bunk was closed for a few years, then reopened.
One day after activity period, a girl in Cropsey’s
bunk found a red X on her pillow. She died,
of course. Now, if you say Cropsey’s name
three times, a red X will appear on your own
pillow—then Cropsey will kill you.
Ashley’s Cropsey story shows the influence
of other oral legends and the mass media.
According to the widespread Bloody Mary
legend and ritual, calling Bloody Mary’s name
a number of times in front of a mirror will
make her appear and launch an attack. In the
popular movie Candyman (1992), repeating
Candyman’s name five times leads to a brutal
assault by an angry ghost intent upon getting
revenge for his early, unjust death. Why, we
might ask, would anyone want to summon
such a ghost? In the movie, the two central
female characters can’t resist flirting with
danger. They want to test the boundaries of
supernatural peril and succeed in doing so.
After a long series of hair-raising, bloody
attacks, both women die horribly.
In “The Cropsey Maniac,” Haring and
Breslerman suggest that Cropsey legends
promote campers’ solidarity and support
counselors’ warnings to stay on the camp
grounds instead of wandering off into the
woods. These assertions work well as
explanations for the earlier and more recent
Cropsey legends. There is, however, another
key ingredient: insistence that the listener may
be targeted for death within a certain period
of time, just because he or she has lived in
Cropsey’s domain. The growing number of
stories that identify Cropsey as a ghost seem
to suggest that he is ever-present and
inescapable. Adolescents test their bravery by
talking about him; even adult camp alumni
shiver slightly when mentioning his name.
Does Cropsey’s ghostliness reflect increasing
concern about shadowy perils in our culture
of fear, or is it just another aspect of the old
“axe-man” story? No matter how you answer
that question, I suggest that you think carefully
before deciding to spend a night in Cropsey’s
bunkhouse. |
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Libby Tuckers Good Spirits column was published in Voices Vol. 32, Fall Winter 2006. Voices is the membership magazine of the New York Folklore Society. To become a subscriber, join the New York Folklore Society now.
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