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NEW YORK FOLKLORE
Vol. 9, Nos. 3-4, Winter 1983
Special Issue in Honor of Rossell Hope Robbins
CONTENTS
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Tribute to Rossell Hope Robbins |
Allen Walker Reed |
1 |
An Accessible Aesthetic: The Role of Folk Arts and the Folk Artist in the Curriculum |
Barbara Kirshenblatt-Gimblett |
9 |
The Oldest Profession Scores Again: Storytelling in the Training of Social Workers |
Lenora Greenbaum |
19 |
John Allison: The Collector as Folk Artist |
Susan Rhodes Slyman |
27 |
Rethinking 'Revival' of American Ethnic Music |
Mark Slobin |
37 |
Peace and the Potlatch: Warfare and Status Among the Kwakiutl |
A. H. Walle |
45 |
Snakelore Motifs in the Writing of J. Hector St. John de Crevecoeur and Other Colonial Writers |
Richard M. Hurst |
55 |
Contributors |
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99 |
 BACK TO NEW YORK FOLKLORE.
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“Folk artists are connoisseurs of eloquent talk, storytelling, wit and humor, apt metaphor, the crafted object, fine food, the well-orchestrated celebration. In a word, folk artists are connoisseurs of the arts of living.” From the “An Accessible Aesthetic: The Role of Folk Arts and the Folk Artist in the Curriculum” by Barbara Kirschenblatt-Gimblett
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