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From NEW YORK FOLKLORE (Vol. 12, Nos. 1-2):
"Folklorists and anthropologists have been pained witnesses to the declining quality of traditional arts, and the exploitative treatment of traditional artists, in many areas of the world, resulting from skyrocketing demand for "primitive art" among the industrial nations and the efforts of commercial marketing interests to cash in on that demand."
(from the Editor's Preface of the special New York Folklore issue, Marketing Folk Art)
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Cover of Vol. 23 New York Folklore

New York Folklore Society
P.O. Box 764
Schenectady, NY 12301
518/346-7008
Fax 518/346-6617
nyfs@nyfolklore.org
     

NEW YORK FOLKLORE
Vol. XII, Nos. 1-2, 1986
Marketing Folk Art

CONTENTS

PUBLICATIONS | VOICES | BACK  ISSUES | FOLKLORE  IN ARCHIVES | FOLK  ARTISTS  SELF-MGT | ORDER PUBLICATIONS | SEARCH

Editor’s Preface iv

Religious Symbols in Afro-American Folk Arts
Maude S. Wahlman 1

Marketing the Art of Migrant Laborers
Mary Arnold Twining 25

Special Section, "Marketing Folk Art"

Introduction by the Guest Editor
Rosemary O. Joyce 43

The Marketing of Objects in the Folk Art Style

C. Kurt Dewhurst and
Marsha MacDowell
49

Traditions for Sale: Marketing Mechanisms for Baltimore's Screen Art, 1913-1983
Elaine Eff 57

Who Will Market the Folk Arts?
Egle Victoria Zygas 69

"Crafts Assistance Programs" and Traditional Crafts
Robert T. Teske 75

Commentary

Geraldine N. Johnson
John Michael Vlach

85
88

Mitigating Marketing: A Window of Opportunity for Applied Folklorists
Alf Walle 91

Review:
Religious Folk Art in America
(Dewhurst & MacDowell,
Museum of American Folk Art)
Varick A. Chittenden 113

Contributors to this Issue
119



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