NY FOLKLORE SOCIETY PUBLICATIONS
New York Folklore (1975–1999)
Select an issue below to review its table of contents.
Volume 25, Nos. 1-4, 1999
Volume 24, Nos. 1-4, 1998
Volume 23, Nos. 1-4, 1997
Volume 22, Nos. 1-4, 1996 Sold out.
Volume 21, Nos. 1-4, 1995: Proceedings of the Fiftieth Anniversary Fall Conference
Volume 20, Nos. 3-4, 1994
Volume 20, Nos. 1-2, 1994
Volume 19, Nos. 3-4, 1993
Volume 19, Nos. 1-2, 1993: Prejudice and Pride: Lesbian and Gay Traditions in America
*Volume 18, Nos. 1-4, 2000: Through African-Centered Prisms Sold out.
Volume 17, Nos. 1-2, 1991
Volume 16, Nos. 1-2, 1990
Volume 15, Nos. 3-4, 1989
Volume 15, Nos. 1-2, 1989
Volume 14, Nos. 3-4, 1988: Folk and Traditional Music in New York State
Volume 14, Nos. 1-2, 1988: Folklore in Industry
Volume 13, Nos. 3-4, 1987: Folk Arts in Education
Volume 13, Nos. 1-2, 1987: The New Nomads: Art, Life, and Lore of Migrant Workers in New York State
Volume 12, Nos. 3-4, 1986
Volume 12, Nos. 1-2, 1986: Marketing Folk Art
Volume 11, Nos. 1-4, 1985: 40th Anniversary Issue
Volume 10, Nos. 3-4, 1984: Folklore in Buffalo
Volume 10, Nos. 1-2, 1984
Volume 9, Nos. 3-4, 1983: Special Issue in Honor of Rossell Hope Robbins
Volume 9, Nos. 1-2, 1983: Folklore: The State of the Field
Volume 8, Nos. 3-4, 1982: The Folklorist and Belief
Volume 8, Nos. 1-2, 1982
Volume 7, Nos. 3-4, 1981
Volume 7, Nos. 1-2, 1981: Folklife Contexts—Studies on the Spatial Matrix and Essays on the Temporal Re-construction of Folklore
Volume 6, Nos. 3-4, 1980
Volume 6, Nos. 1-2, 1980
Volume 5, Nos. 3-4, 1979
Volume 5, Nos. 1-2, 1979
Volume 4, Nos. 1-4, 1978: Utica Project Sold out.
Volume 3, Nos. 1-4, 1977
Volume 2, Nos. 3-4, 1976
Volume 2, Nos. 1-2, 1976
Volume 1, Nos. 3-4, 1975
Volume 1, Nos. 1-2, 1975: Somewhere West of Albany....A Festschrift in Honor of Louis C. Jones
*This issue was delayed in publication and published out of sequence.
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From NEW YORK FOLKLORE (Vol. 22):
Besides exhibiting ideas about space and time, artistic expressions referring to Highway 61 have used the road as symbol and artistic frame. Like other numbered highways in African-American blues, Highway 61 has symbolized power, status, and opportunities for northward escape from personal misfortunes in southern localities.”—Peter Naráez
(“‘From New York City down to the Gulf of Mexico’: Highway 61 in African-American Blues, Bob Dylan’s Songs, and Canadian Film”)
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